Movie Analysis Of Braveheart Film Studies Essay

Movie Analysis Of Braveheart Film Studies Essay rough photographic films have big war scenes with huge medical specialtyal establishs to spring the big action. One of these film is Braveheart. William W allace, p nonplused by Mel Gibson, is the commutation source and hero of the movie. He is the motivator of work constrict. He is a leader of custody. He rallies his Scottish coun get wordwork force to his belief that the side of meat had to be fought and Scotland had to be independent. This film has somewhat huge battle scenes of men fighting hand to hand combat. These scenes ar so realistic and salient for me to observe to give me a unharmed step of this era of hi invention when war was fought populace-to-man. William Wallace is a game and heroic date in this film. He is the cardinal who opines in an independent Scotland and desires to remain turn from the English influences from the south. He wants the Scottish to retain their stimulate ways, their testify beli efs, and their own cultural traditions separate from the English as long as possible. This movie was suspenseful, dramatic, and entertaining for me from start to finish because of my respect for the central pillow slip and hero, William Wallace, as swell up as the great euphonyal progress to to reflect the themes, fibers, and speckle lines much(prenominal) powerfully.The music for this film is essentially designed to reflect the shares and the plot line. The long warring biography of England and Scotland is an valuable patch of the background tosh to this film. Some of the subtitle text provides insights into this era of time and the background of the kin between the 2 peoples and the deuce kingdoms. The Scottish and English have neer really been at peace with each other over the semipolitical authority over the territories that comprise Scotland. Even today, there could be debates and disputes prep ar in the pubs in Scotland and England over exactly what the nat ure of their former(prenominal) kindred is and how it affects their current political relationship. This film provides a living history lesson to that past time period when the Scottish and English warriors fought it out over respect, integrity, and the willingness to lay e trulything on the line for freedom, independence, and separation from each other. The melodious score reflects these themes as the heroic music is felt when Wallace and the Scots argon doing their thing, and the tension and unmatchedrousness of the English is felt when they are present and specially when they are lovable the battles.The Scottish spirit and temperament of this older time period is intelligibly represented in the films hero, William Wallace. The music attempts to amplify and magnify his heroic qualities. He is played by famous action hero actor, Mel Gibson, who provides this character with relentless, courageous energy and emotion from start to finish. William Wallace is able to lead his Sc ottish men into battle with exceptional courage and leadership capabilities. Wallace knows how to give his warriors a serious motivatingal speech before these battles where the Scottish unremarkably are underdog and at much lower odds to win against the usually superior English in regards to military manpower and military weaponry. Wallace is always fighting unequal and with less weaponry than his English opponents. Yet, at the comparable instant, Wallace is fighting with his men for higher, weird causes and reasons that put their English opponents often at the actual disadvantage. This motivation and spiritual uplifting energy personified in this central character, William Wallace, is the driving force behind the films plot and battle scenes. The musical flourishes are always key. The music dominates the action. The music is suppose to make us in the audience obtain the action. Wallace makes his men and himself believe that they are capable of taking on either opponents fo rce of any size and greatness and defeating that opponent because of their brave hearts.Thus, the music indeed reflects the central theme in this film just about(predicate) English-Scottish history and their long legacy of fighting and warfare that the men with the braver hearts usually won over the men with the better weapons and greater numbers. Because the combat was face-to-face, hand-to-hand, the men with the braver hearts would ultimately achieve success. The heroic traits of these men are intelligibly reflected in the intense musical score. William Wallace was aware of thus all important factor of the brave heart when motivating his warriors to fight it out with a more powerful foe. Wallace understands that the brave hearted men in his Scottish forces are divergence to out fight and out last the English soldiers and warriors as the battles drag on. Wallace knows this is a war that has to be won on the spiritual take aim first and foremost to be able to achieve success on the battlefields. This is war that needs to be taken to the next level spiritually and idealistically so Wallace can motivate his Scottish men to believe in themselves no matter how bad it gets and now matter how sozzled defeat approaches. This is a war that William Wallace believes that the Scottish have to will themselves to victory through with(predicate) their brave hearts.Thus, the musical score in this film was in truth important for understanding the central character, William Wallace, and his range of emotions from high to low, from good to bad, and how he was always nerve-racking to bring out the best in his men. He is able to be the person who can really be a hero and the musical score was able to reflect these heroic qualities, especially the music during the battle scenes.Film nary(prenominal) 2BabelThe music is foreign in this film because of the fact that the central characters in this film are in four different places and settings simultaneously. One of the cen tral characters is Richard. He is the blotto light American man who has taken his wife to Morocco to free their marriage. some other central character is Richards nanny, Amelia, who is charge of the two children back in San Diego. A third central character is Chieko in Tokyo, Japan whose father is the one who originally gave the hunting rifle to a hunting guide during a Morocco hunting trip in the past. A fourth set of central characters are the two brothers, Ahmed and Yussuf, who are sons of a goat herder in charge of the goats and shoot jackals with the poor boy their father Abdulla purchased from Hassan the hunting guide for a good price. These central characters are all in motion at four different places and settings simultaneously. The director does an excellent job in motion picture the musical score the right way for this plot line, the character development, and the boilersuit idea of the film.The Morocco setting to start the film offers some traditional music from t his region that really does bring an exotic mood to the opening. The two new-fashioned brothers, Ahmed and Yussuf, are really doing what kids do when given the responsibility of a riled wedge. These young brothers begin daring each other to try shoot things with it besides the intended jackals as their father desired. The two brothers begin shooting at targets to test the gasoline. Ahmed then turns and shoots at a passing car down on the mountain road. Yussuf, who is a much better shot, takes the gun and shoots at a tour bus sexual climax down the comparable mountain road in the distance. The boys dont think nothing happened at first, that then the bus slows to a stop. The boys take off running as fast as they can and drive worried sick about the accident. They know that someone was in all likelihood injured or killed by the gun shot fired by Yussuf who had a good aim too. And they brood the information from their father Abdulla at first because of the great upkeep of ac quiring caught. This secret becomes even more significant when Abdulla at dinner reveals that an American tourist had been shot on a tour bus in their area. This is something that strikes great fear in the hearts of these two young brothers. In turn, they want to make sure they dont get caught for it. These decisions are typical of two young brothers who look out for each others back. Yet, when the police investigator comes up the driveway when their father is not around, the boys lie about the location to purchase more time for themselves and to permit them the opportunity to tell their father. This tell-all to the father becomes a bad time for the brothers as they fight, turn on each other, and become bitterly mad at each other. The father fears their safety and decides to break away with them and the rifle. The music in the sequence featuring the father and two brothers is really turned and exotic in quality because they are mountain dwellers who live in truth simple lives. Y et, they are suddenly wrapped up in this smutty tragedy.The traumatic sequence in the film featuring Richard is something that is suspenseful, tense, and tragic in spirit and implication because of the musical score accompanying his presence in the story line. The continuous fear in him that his wife will die from the gun shot wound to her neck without any proper medical sanction on this village mountain top in Morocco. Richards character goes through so many different kinds of emotions during his ordeal waiting for the medical helicopter. He has to forge trusting relations with Moroccan villagers, including the village healer, as well as relationships with his fellow bus passengers for a time period to try to get them to see his predicament and his tragedy from his shoes. Richard is a master at getting people to feel like he does and have empathy for his bearing in this ordeal. The character of Richard teaches us in the film audience the wondrous situation of being face to face with a tragic damage of a passionatenessd one. At many points, Richards wife seems ready to die. This unbroken on the edge of his seat about her death makes him reflect on many things in his life. He becomes a different kind of man than he was before this shooting incident occurred. The music is tense, moody, and changing all the time during this back and forth situation with Richard and his injured wife. The villagers are trying to help them unless they dont have the medical technology necessary to save her. The music becomes sorrowful as Richard faces the reality of her impending death coming soon.The central character of Amelia, Richards hired nanny, is another intriguing person for us in the film audience in relation to music and her character development because of her risks and boldness of personality to take Richards children without his permission to her sons wedding in Mexico. She will not miss her sons wedding no matter what she has to do. These white children are ver y reluctant to go to Mexico. They are socialized to fear Mexicans and Mexico itself. However, in the sequences of the wedding and wedding celebration, these two white children become happier and more relaxed the more fun they start having with the Mexican children their same age. The music in this sequence of the film is very important and it reflects the good time everyone is having. This is probably the most important musical section in the film.Film No. 3The Color PurpleIn watching this film, The Color Purple, my knowingness and knowledge of the press of the African American people in the deep South earlier this century was increased significantly. This films sets, background scenery, music, and characters were all pose to bring the most dramatic effect on us in the audience. The excellent performance of the actors and actresses was critical to understanding the plot and action, but the musical score provides the emotions and pain felt by these characters.The protagonist, Celi e, is a poor adult female with little education who at age fourteen is sexually treat and impregnated by her own father, Alphonso. After she is moved out of her family home, she is forced to hook up with this widower with several children. This hubby is called Mister throughout the play. Celie has to deal with corporal convolute from him as well. This play is about Celies development from a nave, nescient woman to a courageous, individual woman who stands up for herself. This musical score in the early part of the film is a tragic one which gives us a feeling about Celies character. She is facing such grievous things and her life is affected by it.The music becomes stronger as Celie learns to stand up for herself and become a stronger person because of two strong women, Sofia and Shug Avery. These two women mount to Celie that she as a woman must sometimes stand up for herself. For example, in one scene, Sofia, who is Harpos wife, is fighting back with Harpo. This display of courage and persuasiveness by Sofia ingraines Celie. In another scene, Shug demonstrates her courage to speak her mind and pay back to Celie that a woman can be an independent, fearless creature when wanting to be. In this film, Celie learns from Sofia and Shug how to be an adult woman. Sofia provides the toughness and courage displays against her husband Harpo that impress Celie and make her recognize her need to be more like her. Shug ends up becoming Celies lover who shows her the joys and pleasures of enjoyable sex between two women which is the polar kind of sex from what she gets from her husband called Mister. Shug is actually Misters mistress who comes to live in the household because of poor health. Even though at first Shug is very mean and aggressive towards Celie, the two women began to have a sexual tie for one another. Furthermore, Shug remains in the household to help protect Celie from Misters physical abuse. This friendship blossoms into a love relationship which is a central part of the whole play. Celie and Shug are doing the unthinkable for two women living in the same household supposedly both lovers of Mister. These two women are having a homosexual love affair right under the nose of Mister. The musical score during their sexual moments and love moments is very important in the development of Celies character as she learns to really care about someone else, Shug.This is a dramatic part of the play because of the prohibit nature of it. I archetype the performances of the two actresses for this key scene in the film when the friendship turns into a love affair was excellent. I was on the edge of my seat wondering what was going on. Yet, in a sense, this is what a great film is all about and the music fit the scene perfectly. Celie and Shug have crossed a forbidden line in Misters household. He has no conception that these two women would be doing this behind his back. He doesnt have a clue but us in the audience know exactly wh at is going on.Music plays an important part in this film in developing the realtionships among the characters. One of the more important relationships for Celie that doesnt emerge until the end of the play is with her sister Nettie. Celie has long thought that Nettie may be dead since she never received any garner from her. Celie is introduced to lost letters from Nettie to find out that her sister isnt dead but has traveled to Africa with some missionaries and parryed. This discovery empowers Celie to think that her sister was alive the whole time. The musical interludes are very important to show the hopeful mood of Celie. The mandate from getting to know herself also has something to do with her confronting her abusive husband and telling him off for the years of abuse she endured. At the end of the film, Celie feels her empowerment and independence as a woman. She has the courage to move to Tennessee with Shug Avery and another woman to begin a profitable business sewing tai lored pants. Upon her return to Georgia, she has inherited a lot of land from her stepfather and her husband, Mister, has reformed his ways. In the very end, everything comes to right order and Nettie and Celie are reunited.The music plays out in a happy manner and the film brings these two sisters back together in a happy reunion.This is an interesting film experience for me because it makes me understand the hardships and struggle of the poor black women of the earlier part of this century in the secret South. Celie, the protagonist, was an interesting character who had to endure so much pain and so man problems in her life as an African American woman. Although she finds her own identity and empowers herself through her following the two role models of Sofia and Shug, the pain is discernable in most of her situations. The musical score was very important for her character development.