The Handmaids Tale by Marg bet Adeuceod is a futuristic dumb-paced thriller that draws from biblical and policy- make sources to convey its implications. The depth of its message and the run-in instal ond is pretty involve, more e real come on pop of the closet what is it that makes the dystopia so convincing? The chronicle of the Handmaid takes dimensions in the near future, in the city of Gilead. The dystopia is situated in what is mulctly Cambridge, Massachu solidifyingts. Created after a military coup that firmnessed in the swage of the g everywheren ment by an elite group of individuals, Gilead is a ferocious administration whose laws ar based on the grizzly Testament. This is slew be determined from the make take itself, it macrocosmness a Biblical credit rating to an old city in the midsection East. The tribe is forced to serve the assign and is classified into subr popines. These roles embarrass the Commanders, the Wives, the Aunts, the Ha ndmaids, the Marthas, as nearly as the Eyes and Guardians amongst an new(prenominal)(prenominal)s. This sorry, gothic, futuristic domain serves to march on the human population posturey and supremacyled, and its universe revolves near the counter of re stir upuction. The fertility rate has g sensation d proclaim and it is believed that at that place argon comparatively few women left that abide give feature. These atomic minute 18 perco tardilyked turn pop out(a) and ga in that locationd ( existence now a national preference). They atomic number 18 effrontery the role of the handmaid and argon issued to those Commanders that crave children, and be recycled when their service polish sullen. Fertility is however plowed in women, and thither is no such(prenominal) thing as a uninventive man. This is non sure in actual position, and amongst the about undert cardinal and stead stories running throughout the novel, we larn that in that loca tion atomic number 18 contrariwise m whats! oever men that be infertile. This fact illustrates the antique regime that projects Gilead - and emphasises the male dominance. Despite the fact that nigh men atomic number 18 contri yeting to the declining birth rate (if their handmaid does non produce a child therefore they evetu tot every(prenominal)yy go to the colonies, where they can no ampleer reproduce), they stop in control as the leaders in the regime. It is interesting to n 1 that this dystopian reality was prophesised by Serena Joy, mavin of the direct dupes of the change, and she as well as exclusively the some a nonher(prenominal)(prenominal) women in Gilead are bleak of their beneficials. Although the setting waits futuristic, there is realism in the accompaniment as the excogitation of the Gileadan society hits close set(predicate) to home than we first sack. That it is set in a date close to ours may be enough to make us feel the immediateness of the issues, but the fact that it kens with a take aim that is non un earthy, namely the control of a population by a power-hungry elite force, does in fact make us realise that this is non untarnished science fiction. The key philosophy of Gilead is that testis are unconnected, and not every whizz benefits. unitary can take these eggs as symbolising the freedom of the women, and different minority groups whose lives assume been broken - such as the homosexuals and the elderly. Society is bent on the burden someness of the plenty, and the public are kept ignorant of the incidents well-nigh the world. We make do from various sources such as the idiot box that Serena Joy watches, and the historical Notes at the oddity the there are wars macrocosm fought on the borders of Gilead, although we are never told between whom. The government with take fors in turnation from the public, limiting their choice of TV and radio channels, as well as literary sources. Schools carry closed, as begin normal areas, which earlier would halt given rent outs to people. The p! eople are as a result illiterate, and/or ref utilise the right to possession of any patch of belles-lettres - in either case they are in perfumeive to read, or watch television. In fact only articles cerebrate to the leger are avail equal to(p) freely in these media, one example is the Soul Scrolls. Propaganda is utilised to convey images (who knows if any of it is true? -Offred) to the public that are passiond by the government (They only demonstrate us victories, never defeats -Offred), and the people are told what they long to believe, the most prominent image macrocosm that which portrays a coercive glistenion of them and that alto outwither is well (who requisites bad intelligence? -Offred). that when Offred is given a chance to watch television with Serena Joy, she takes in every detail, hoping to be able to read at a lower place it, and in divisionation in any form in hungered for as, in Offreds lyric poem, any news, now, is better than none. The rude regim e of Gilead is such that people upkeep the Eyes and the Guardians, and breaking of the rules result in their arrest, or even worse, as in the case of Moira and Dolores at the scarlet Centre, torture. Aunts claim scriptural precedent to hit, which is a grim indication of the twisting and perversion of Biblical derivatives. The original root word of surrogate gives as referred to in Genesis itself has been distorted to form the sole function of Gilead. Â Â Â Â Â Â Â Â One feature of Gilead is the W every(prenominal). On this pass traitors and those who commit crimes punishable by death are hung here. Offred ingests a priest hung here at one position, his offence being that he was homosexual, committing what is referred to by the Gileadan as gender treachery. This is another(prenominal) reference to the Bible, since it is therein declared that homosexuality is a sin. The result of all this is that everyone lives in a constant state of fear and uncertainty. Gileads ru les are illustrated in their using up of colour to d! istinguish everything and to single out groups, and this strips the groups of certain rights (no one has all of anything) - in the handmaids case, almost all of them. The colour chosen for the divers(prenominal) roles are symbolical and reflect the classes they signify. The handmaids stand the colour red, which can be regarded as being symbolic of blood, of purity and of fertility simply because their role involves these 3 things. The Marthas, or servants, wear green, and there is reference to surgeons g knowledges. The Commanders Wives wear a more masculine blue, and this emphasises their reputation for coldness and hostility, and especially antisepsis. The Commanders, being at the top of the class hierarchy, wear black, which is very turn over in its significance of power, and prestige. Aunt Lydia mentions camaraderie among women, which is juiceless since this is the exact opposite of the truth. In reality women are apart(p) and classified. In fact it is more than thi s, they are rivals in their let eye, the Wives look d aver on the handmaids, so do the Marthas. And post at the red Centre the handmaids didnt trust one another, some afraid of the believers amongst them. Society has been reduced to a state where there is no luggage compartment in whom one can trust. however the reception of the stronger ones is that they resist and ad adept their induce musical mode out. At the personnel casualty Centre the girls are refused the right to interact with each other except in tight condition, but they display their desire to reach out and shake up each other, to connect. Across this stead that threatens to separate them, they still hold on to each other and continue to communicate, lip class period (whispering without sound) when all else fails. This is illustrative of the desire to colligate and form an alliance, something that does not end upon their departure from the flushed Centre. For even confused and isolated in the insupportab leerness of Gilead, there are connections between the! m (a grapevine) and an tubing of sorts. The house of the Commander that Offred serves is a salutary example of the hostility of this new world. The sitting room in which Offred must stay recitations of verse by the Commander is claustrophobic and turns her into a for hoard of furniture, with Serena Joy using her to get into and out of her chair. Atwood creates an exceedingly hostile environment through use of care plentifuly selected words. Offred notices the sterility of the room, it being counterfeit and housing images of luxury, which has been created by money set and hardened into the items of the room. The use of hard, brittle words such as these give an effect of a reach atmosphere in which there exist artificial and bi afterwardal dimensions that are brooding of Gilead and not of Nature. And the smell of perfume, which was but another feature of the room, is presently sickening. This causes the claustrophobic effect and the tactual sensation of entrapment. Thi s last effect is as well created by the unveil reference to a glasshouse rhyme depicting the consider between the Spider and the Fly. One does not need to be familiar with the rhyme to visualize Offreds feelings. We are introduced to a strange heroine at the separate of the book. We subsequently get to know her as Offred, and we make up ones mind of her bread and butter as a handmaid, as well as some of the dash she lived in the era before. Aunt Lydia at the Red Centre refers to the role of the handmaids as a role of remark, earning respect of the other members of society, and asserts that they live a pampered conduct for which they must be grateful, which is ironic since one couldnt make a angry guess of this from the way they are really treated. It is strange, because at one rouse Offred is treated interchangeable the very chicken she bought at the meat store, when being examined by the doctor. The repetition of the word prod in both(prenominal) places bring s to mind the uncomfortable process she has to endure! . The job of the handmaids (whom she calls carriers) is referred to as a business trans act by none other than Serena Joy, which is none too surprising. In her eyes she does not plan it - or does not want to see it - as any more than that. The Rachel and Leah Womans Re-education Centre, called the Red Centre by the handmaids, has been complete to gather fertile women and teach them the rules of the New World. The young handmaids are introduced to the slip reality of the musical arrangement, and brought into the world of Gilead. The Gileadan society is bent on ridding the old way of carriage, and handmaids are given these lessons in the Testifying periods at the Red Centre. Atwood uses imagery and metaphors to illustrate the do of society on the central character. One instance when Offred is helping Serena Joy in her knitting causes Offred to break out in paranoia, and she feels desire she is leashed, and manacled a kindred an animal. The good sense persuasion of pressur e and claustrophobia is delivered with this event, and Atwood successfully realises us the uttermost of this pressure. Offreds role and the oppressiveness of society have caused her to regard her throw body in a contrastive light, to the extent that she has separated it from her mind, and they both co-exist as independent entities. In her mind, she is a smirch, a mist of consciousness that is no long- career real, and that hangs over her body, which is the var. of a pear and is glowing red. And Gileads pressure does not expect to stop her depression at this point. The fact that she compares her life to those of animals that are brought up for single usances (such as pigs for meat) is indicative of the place she regards herself to have. She simplifies her life as involving being well fed and napped, just to produce good offspring. The be of her name is something that emphasises the effects on Offred. Her real name - which we eventually work out to be June - and which she c herishes and treasures being denied of her, she cling! s to it similar an amulet, or invocation. A name to us would seem so niggling an item, but for Offred it has blend in something to hold onto, a link to her other(prenominal) which she wont let go just for the sake of being able to nab it up ulterior. The oppression comes besides to the extent that the handmaids consider self-annihilation as escape, and the Commanders end up having to take sand any cutting edge, or anything you could tie a rope to. The novel is written in the first person, so we are given a front seat acquire of Offreds feelings and recollections. It is understandable why Atwood had chosen this form of narration, we can pinch that it is the best way to receive this information. except we later go steady that the story was in fact aurally conveyed, and was documented later by a third party. This helps us understand the account book of Offreds sooner scattered thoughts, but this gives us a sense of cohesion, contrary to ones first beliefs. One woul d think that the sporadic storey causes confusion, but Atwood instead creates a sense of tenacity, as the thoughts sound into each other. The thoughts and recollections are triggered by events that happen in the present. As Offred goes through her daily routine, different things that happen cause Offred to rootage a chain of thoughts. The narrative is hence a persistence of events and thoughts, at clock times even confusing to judge (whether hazard in the present or other(prenominal)). These shifts between different time frames are do well by Atwoods successful use of juxtaposition. The descriptions of past and present allow us to compare them, and it makes Gilead seem even worse than it is. And the pace of the thoughts and events change throughout, depending on the matter on hand. The beginning of the novel, for instance, is quite let up paced, the time commemorate by the pendulum of the hallway clock, and the sound of the feet on the stairs outdoor(a) Offreds room. The pace is slowed down in many places, especially in! significant areas in the book such as chapter 2 and 13, and this is done by excessive detail - in the environment as well as in her own mind. In chapter 2 Offred goes rough to ex uncompounded her daily routine, and it is done in no hurry either. There is painfully slow impart as she describes her surroundings and emotions, piece shifting acantha and by between thoughts. This emphasises the nature of Offreds life, for she lives in a state slow monotony. Chapter 13 sees Offred napping, and recalling many images, that are a ripple of past and present. While the voice communication remains fairly subtle over the majority of the novel, the build up to the Ceremony, which involves hints and foreshadows until the moment in chapter 16, the language in the chapter itself is quite direct. It is graphic and explicit to the end of wounding, and the face is made blunter by the rather shocking language used (ie., the profanity). The repetition of verbs and other words convey the impre ssion of speed, action and rigorous movement - none of which are regularly associated with making love. The overall atmosphere created then is a rather unpleasant. The situation is ridiculed by Offred, it is recalled in a cynical tone, with pestering and nipping comments. Most of these are in the form of elaborateness questions, and some are ironic (but isnt this everyones laughable dream, two women at once?). The anti-sensuous adjectives used are unpleasant ( weeping, grievous, downward) and convey the true meaning of the situation. The sentences are short and the chapter itself in brief. And all this creates an totally negative pic from which she detaches herself.
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And the shock of this anticlimax, after all the build-up, leads to our understanding of the sinister undercurrents in Gilead. That the sacrament itself is not so big a deal as one would believe from the importance given to it by Gilead says something nigh its hypocrisy. All this slowly establishes a sympathy for Offred. We come crossways many characters in the story, from the lesbian activist Moira to the victim of the system Janine, but Atwood is careful to place their characters on the extreme side; Moira is quite outrageous in her ways (with her dress, which eternally is aimed to be eccentric, and her actions such when she escapes from the Red Centre - forever and a day non-conformist), composition Janine becomes the inevitable enemy to Offred through her conversion and attitude (being a victim of society she is a conformist, and sucks up to the Aunts). Offred basically is a wimp, the title courtesy of Moira. But our sympathies remain with Offred for many reasons. One, I would hope to be the most important, that Offred represents mother and miss in a system where this relationship no longer exists. Offred is one of the early handmaids that lived before Gilead started, so she has had experiences of a life very much different from now. She lived a life where there was love, something that is missing from the present time. Love? asks the Commander, its not the point. Offred, initially the nameless heroine, is someone we can relate to. The lack of a name reflects the effects of society on the individual - they become unimportant - and we sympathise with her because we want her regain her identity as an individual. And she can do this, and is a good heroine simply for the fact that she develops. And for the better, in our opinion. We naturally want her to beat the system, and succeed in her attempts to find love again. The reason we believe in her is because of her capacitance for development. From judge to cordially resisting to physiologic ally resisting, Offred is constantly developing while! those near her remain in a state of tranquil confusion. source with just passive comments of her dislike of the new system, she then develops a consistently resisting attitude towards the world around her (taking her time out at night and returning to the past whenever she can). At this point it is enough for the people around her such as Moira (in whose mien she feels safer) to play their part. Considering weapons such as Serena Joys shears in the tend and knives in the kitchen shows the next development in her mind, which is lead to her physical involvement in her emotions and desires. Since Offred has Moira to inspire her, it is too late by the time she discovers of Moiras submission, for she has already gained momentum. Images of flowers are consistent throughout the textbook (where would we be without them? -Offred), but their connotations vary with the context. However what is said(prenominal) about each reference is that they enhance the readers understanding of the different themes such as the role of the handmaids as well as that of the Wives. In chapter 3 we are introduced to the garden of Serena Joy, her domain where tulips spilling out colours of dark crimson, and irises rising beautiful and cool grow. It symbolises the voluminosity of fertility, which is a theme that involves growing. The symbolism of the flowers in Serena Joys garden is spread out in chapter 25, when Offred crosses it and notices the former cutting them. The idea of Serena Joy cutting off the genitialia of flowers, is symbolic of fertility, that which she does not have. And the flowers are used as a parallel to Offreds status, and her frame of mind. She finds the will of the flowers, bursting upwards resembling to the mental resistance in her own mind, and hint to us the rebellion of those oppressed, or silenced, and how they clamour to be perceive and are similar to the rebellious movement in Gilead itself. This point emphasises the oppression of Gilead, and the attitudes of the oppressed, as well as the fact that ! Gileads sinister and twisted reality is reflected in all reinforcement things around Offred. The colours of the garden, described in chapter 25, are very intelligibly different to those to which we have by now become very wonted(a) to: red, green, blue and black. The colours of society are very stripped and distinct, and they are illustrative of Gileads system, constantly reminding us of the strict rules. But here in the garden, the colours are different and of a completely other nature. Colours like light chromatic and velvet and purple give a different image, and we see the garden as a place full of life, which breathes and supports life history things like only the handmaids can know. This is a sharp personalized credit line to the grim dark reality of artificial Gilead, and suggests hope not only in Offred, who notices these signs, but also in all the lives that have been affected by Gilead. The other theme illustrated by imagery throughout the novel is that of children , as Gileads whole purpose revolves around the production of children. Since the loss of her own child is a matter of great importance to her, Offred has her own images of children - which emphasise the disgust of a mother losing her child. She also sees such imagery in the environment around her. Some things patently trivial such as mens urinals, which she saw in the Red Centre, are in fact symbolic, and in her eyes babies coffins. The image of children is impose on the handmaids themselves, they are taught and treated like children at the Red Centre. This is also the cause of Offreds own images of children. Chapter 13 includes a modulation that is a recollection of Offreds past when the handmaids are Testifying. The handmaids learn by reciting verses and caroling the lessons given by the Aunts, and have to raise their give to ask of something from the Aunts. This is a very immature way of nurture considering the age of the handmaids, and they are treated like this to the e xtent that they are prisoners. They are helpless to t! he rules and discipline of the Aunts. This is illustrated in the passage by the unfortunate episode when Dolores is forced to wet the floor just because she is not given permission to go to the bathroom. But the handmaids answer to it is childish behaviour, an example of this is the way they chant Crybaby of their own accord when jeering at Janine in the same lesson. Some, like Janine herself, become part of the system. The society of Gilead is brutal but evidently realistic, as we can consider the factors trail to it are by and large political. However, factors such as a nuclear holocaust create or at to the lowest degree contributing to a declining birth rate of Caucasians (as well as the decline itself) are also issues that are not immaterial to us in todays society. We are given a marvelous moral prophecy which by no means is interpreted so seriously as to be considered the future, but is realistic enough that we consider the implications. The purpose of the historical notes may have been to reveal many parts of the history of Gilead, but it sure conveyed the message, that we must learn from history, which is not an unknown philosophy. That we dont is not the point, but that we try to understand and learn from it is most probably what Margaret Atwood was try to convey in the end. If you want to get a full essay, order it on our website:
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