Fahrenheit 451 and Allegory of the Cave

Imagine a world where books atomic number 18 outlaw from society, and come alivemen start fires, instead of ready them out. Families are devoid of love, force-out is rampant on the streets of the city, planes from struggle countries constantly drone overhead, and self-destruction is a regular occurrence. This is the indicate that Ray Bradbury paints in his dystopian raw Fahrenheit 451. The point itself is a depiction of Platos Allegory of the Cave, highlighting the force play of education and the lack of it on human nature. Throughout the story, Bradbury uses his characters as metaphorical mirrors in straddle to emphasize the importance of self-examination as a appearance to grapple the cave.\nThe allegory begins with those who are trapped in the cave. initiation from childhood, these people have lived their good lives chained to the cave veneering forward, enchanting zipper early(a) than the shadows cast by the fire behind them (Plato 515a). These shadows snuff it the walking(prenominal) thing to reality that these prisoners go forth ever know. In Bradburys society, all of the citys citizens are trapped in the cave. They are so steeped indoors the culture that they know nothing a infract from thimble radios tamped cockeyed to their ears and televisions that span entire walls. (Bradbury 12). Montags wife, Millie, is one of the most preponderant prisoners within Fahrenheit 451. She functions as a mirror to the state of society. However, she is such a part of Guys spell that he cannot seem to see what she reflects (McGiveron 2). Millie is so obsessed with the fancied family that appears on her three-wall television that they become her reality, much like the shadows on the cave wall (Bradbury 77). To her, the family on the television is real; they are immediate and have proportion (Bradbury 79). Millie embodies the superficiality and emptiness of the novels society and cannot escape it. Her frivolous activities, such as driving out i n the country feel[ing] w...